I often receive supportive feedback on my photography, as well as questions on how I get my results. Since I’m “in this for the photography” I tend to prioritize photography over writing. So my answers to questions provide a great opportunity to address common questions in a blog post. This time, I’ll just have it all be the blog post, illustrated with photos that I’ve post-processed in the past month, fall 2017…
On 9 Nov 17, 5.52PM PST ———- said:
Jeff:
I see a dramatic change in your fall images….much improved, even though the old ones were great to start with. What software are you using to develop your images? It looks like you are using focus stacking for the landscapes as well. Is this so?
Nice job, ————
I’ll answer in two parts, first regarding post-processing.
I honestly don’t know if I can narrow it down to one or two factors and answer the question completely, but here goes…Everyone’s looking for ways to improve their photography, and the questions often assume that a new camera or post-processing software must be the key. To be sure, cameras and applications do evolve, so there are benefits to new versions, but there’s a lot to be said for the influence of experience and personal stylistic choices.
I do find Adobe Lightroom 5 and lately 6 to be meter than older versions of the software, and I do often re-process results as recent as two years ago and get better results. But here’s the catch: I also notice that I’m using a different approach and settings than I did even as recently as two years ago. So I can’t really attribute the improvements to solely or even mainly to newer Lightroom software.
That would certainly account for many of the files that I post-processed in Photomatix, but I try to tag all of them with HDR and Photomatix, so you can see for yourself that it’s not a huge percentage of my overall fall results.
Stylistically, while I always preferred to produce more or less realistic images, sometimes digital cameras simply didn’t have the dynamic range to capture an entire natural scene well, so I’ve decided to accept the compromise of visibly manipulated results. As cameras get better in subtle ways and I continue to master my skill with the various techniques and tools available, including the software tools, I can shift my focus to stylistic choices instead of fighting the tools to get an acceptable result.
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